Sergio de Arrola is a Spanish photographer and artist, although hes ill at ease with the moniker artist. His work ranging from portraits taken in Colombia to a photo essay of American life shot while riding his bicycle from New York to Los Angeles in 48 days shows the world in black and white and striking color. These days, one of Sergios most interesting projects involves “pasteup” large format printing and “Banksy” style guerrilla street art. In the dead of night, he and his team surreptitiously paste huge images all over Madrid. Glue, rollers and massive photos are the main tools this photographer employs in his efforts to transform the cityscapes of Spains capital. I recently caught up with de Arrola to talk about art, large format printers, travel and run-ins with the Spanish authorities as well as what the future holds.
Carl Pettit: What do you like about being an artist and photographer? What do you dislike about the artistic life?
Sergio de Arrola: I dont know if I consider myself an artist. I think Im working on it. I work everyday trying to make coherent work that represents myself as a human being. I like art that involves emotions and real life. I like to talk with the people in my portraits. I love to relate to the emotions of the people that I portray in my work. I dont hate anything about art. I can hate some institutions or people that try to cheat and that don’t try to make something serious.
Youve worked in Barcelona and Madrid. Can you compare and contrast your art and life in both cities?
Barcelona is a really arty city. When I arrived there in 2004, it was even more so. The city was painted with colorful graffiti from artists from all around the world. Back then Madrid was the opposite. It was a very political city. Art was only in museums and “serious” institutions. Now the balance has changed. Barcelona is trying to be more “serious,” and Madrid is becoming funkier. I really love the beach and the vibe of Barcelona, but I also enjoy living in a big city like Madrid, where youre more anonymous than in a little town.
Why did you create the Rolling Habits street project?
The main reason was because I wanted to share my photography with people in a direct way. Show them my work when theyre working or just living life. I think people are more receptive when theyre walking in the street compared to when theyre walking around a museum. I enjoy this. I also like seeing my work in different formats. Normally when you take a photo, the context is closed, but when you paste it up on a wall, this changes. The image is given a new dimension because its interfering with the environment. In the future, I hope I can paste photos up in other cities and countries.
Have you ever gotten into trouble with the police for pasting up large format photos around Madrid?
Sure! Sometimes we run around in the night to avoid contact with the police. If you’re not doing anything too risky or prohibited, like crossing the highway or something like that, in the end its only paper and glue and the glue is almost water. If the police catch you, you can just take the paper off the wall. Its always better if I don’t talk with the police too much. The work is illegal, but at the same time its kind of friendly. On the M-30 highway in Madrid, I once pasted up 30 portraits (two meters each) on the walls to the highway entrance. When the police caught us, they were very aggressive at first, but in the end, everybody was laughing and chilling out with five police cars and 10 cops, plus four of my friends. The police took some of my posters away as a “proof” to show to some important guy.
What is your favorite brand of large format printer?
My experience in printing is totally amateur. Im not an expert. I have an HP5000. Its a large format plotter. You can print up to 1.5-meters wide, so its perfect for big paste up projects.
What other projects are you working on now?
I have an intervention paste up on a 14-meter wall in Barcelona that Im very excited about. Its gonna be massive! I’m also editing a book about a bicycle trip I made in the U.S. last year. I took lots of portraits and very nice images about the loneliness and the beauty of North America. Im also thinking about my next big trip. I want to join a tour from Cairo to Cape Town. This time it’s not gonna be alone, but the intention is the same. Ill take portraits and reflect on the reality of the places I visit.
Carl Pettit is a contributing journalist for TheBlot Magazine.